a5c7b9f00b When an Earth mission arrives on Altair IV, they find that Dr. Edward Morbius and his beautiful daughter Altaira are the only survivors from the original expedition that had arrived some 20 years before. Morbius isn't exactly pleased to see them and would have preferred that they not even land their spaceship. He does his best to get them on their way but Commander Abrams and his men soon face an invisible force leading them to believe that Morbius and the girl are in danger. Morbius claims to know nothing of other life on the planet but does reveal there once existed a far superior race, now extinct, that left a huge subterranean industrial and scientific complex. An expedition is sent from Earth to Altair in the constellation of Aquilae (some 17 light years from Earth) to discover what happened to a colony of settlers on its fourth planet, Altair-4. What they discover is how and why an alien race of geniuses destroyed itself overnight while leaving their technology intact at some point in the distant, distant past. Even as MGM was collapsing, the studio had the ability to make this science fiction movie, with production values not to be seen again in a science fiction movie until 2001. From the giant cyclorama showing the Altair IV landscape behind the spaceship to the near invisible monster impervious to energy weapons, Forbidden Planet displays a combination of art direction and use of visual effects twenty years ahead of its time. Just like the all powerful Krell, the MGM studio, once all powerful (the only major Hollywood studio to go through the Great Depression without losing money), was disintegrating. Dore Schary was in his last year in charge of MGM studio in 1956, soon to be dismissed. MGM also let go almost all its contract employees, including art director Cedric Gibbons, who had been with MGM from the start in 1924.<br/><br/>Unlike the Krell, who vanished suddenly, MGM lingered on, betting its future on big pictures like Ben-Hur and How the West Was Won. But by 1970, Kirk Kerkorian was cannibalizing MGM, selling its 40 acre Culver City backlot, the movie sets demolished to make way for a housing development, and then auctioning off MGM's two warehouses of props, including the three pairs of ruby slippers Dorothy wore in The Wizard of Oz. Two were swiped before getting to the auction floor by a temp laborer hired to move the props. At least one person knew the value of MGM memorabilia being sold like so much junk at a yard sale.<br/><br/>I can't help now looking at what happened to MGM as it ran out of money and then got taken over by Kirk Kerkorian's wrecking crew and think about what is happening in the United States now, as corporate assets like Anheuser Busch and much of the domestic steel industry are sold to the highest foreign bidder. Most of the lower level MGM employees who hit the bricks after the studio shut down regular operations could not get another steady job in the Hollywood film industry. Top talent like actor Stewart Granger and director Andrew Marton could get one movie jobs (no multi-year contracts anymore)in Europe for a while, but it was the end of the road for many studio employees' Hollywood careers behind the camera. <br/><br/>The Krell met a sudden, unexpected end in the movie Forbidden Planet, but when MGM went onto a slow death spiral, life did not reflect art. There was no happy ending for the MGM story, except for Kirk Kerkorian, who somehow managed to continually buy and sell MGM's assets until 2004, when Sony bought the MGM studio and let go its remaining 900 employees. Forbidden Planet is a hell of a ride, one that the viewer should and will enjoy wholeheartedly until the very last minutes. This is also definitely one of the most astounding, visually stunning, challenging science-fiction movies in the history of cinema. Not only is it truly thought provoking and unpredictable, it's also genuinely scary in its utterly valuable evaluation of the human psyche and its inconceivable capabilities.<br/><br/>The first image of the film shows a human-made spaceship traveling somewhere in vast space. On board of the ship is a crew of various professionals, who were hired in order to investigate a mysterious disappearance of a group of people on the distant and secluded Planet Altaire. Just before landing they're able to communicate with the only survivor, Doctor Edward Morbius, who is as unpleasant as he is secretive. The first 'person' the guys meet on the planet is Robby, the Robot. His abilities are beyond imagination: he can produce huge amounts of liquor, he can move whole buildings with his bare hands, he can speak 187 languages, and he is as polite as no Earthling probably can be. His role in the film is irrefutable; hence it's crucial to call him a supporting character rather than just a mechanical creature. Three leading man of the operation (Commander J.J. Abrams, Lt. Doc Ostrow, Lt. Jerry Farman) ride with Robby to the house of Dr. Morbius. There they discover not only that the doctor is a deeply enigmatic man and a bizarre individual, but also that he has a beautiful daughter named Altaira. Adam and Ostrow quickly become infatuated with the girl, and during the whole visit they fight for her attention. Morbius explains to them that an unknown force killed all his comrades, and that if they won't leave the planet immediately the same thing will happen to the whole crew.<br/><br/>It's later reveled that the place has been inhabited by a mysterious race named Krell, all of whom died at once 200,000 years ago. Morbius, learning of their enormous intellectual powers, decided to spend every day in the abandoned laboratory trying to figure out a way to achieve supernatural intelligence, thus becoming almost invincible. As the crew investigates and discovers the truth behind the whole mystique operation, people begin to die and the atmosphere becomes tenser every day. There is only one way to stop the madness, and that involves suppressing the beast that's been haunting Morbius' mind for yearsÂ…<br/><br/>Forbidden Planet is a puzzling picture, mostly due to its complex, smart, futuristic nature, exhibited so forcefully through a many enigmatic conversations. No less than that, it's truly an eye-popping sci-fi odyssey, which makes a great use of amazing special effects, fantastic set pieces, background electronic music, and Robby's delightful performance. In the most elaborate sense, Forbidden Planet is also a fascinating commentary on the Freudian psychoanalysis, where a raging id is stronger than the conscious human mind, and leads to horrible disasters even in the outer space regions.
Spaceship Commander J.J. Adams (<a href="/name/nm0000558/">Leslie Nielsen</a>) and his crew are sent to Altair-4 to discover what happened to a colony of settlers. What they find is two survivors – Dr Edward Morbius (<a href="/name/nm0682074/">Walter Pidgeon</a>) and his daughter Altaira 'Alta' (<a href="/name/nm0004282/">Anne Francis</a>) – living in a paradise created by Morbius using secrets from the Krell, a long-lost civilization that once inhabited the planet. Soon after their arrival, the crew faces an invisible force that puts them all in danger. Forbidden Planet was filmed from a screenplay by American screenwriter Cyril Hume, who based his script on a screen story by American writers Irving Block and Allen Adler, who based their story on elements of William Shakespeare's play, The Tempest. The movie was subsequently novelized as Forbidden Planet (1956) by English author Philip MacDonald, writing under the pseudonym W.J. Stuart. No specific date is given in the film. The opening narration says only that men and women in rocket ships landed on the moon in the final decade of the 21st century (in the 2090s) and that they reached the other planets of our solar system by 2200. Thereafter followed the discovery of hyperdrive (through which the speed of light was first attained) and from there began the conquest and colonization of deep space. It also states that the spaceship Bellerophon was marooned on Altair 4 some 20 years earlier when it was sent out to establish a colony. Given time to develop hyperdrive and to begin colonization, plus the 20 years following the marooning, the story most likely takes place in the 23rd century. According to the foreword in the novelization, the C-57-D mission was launched from Earth via the Moon on the seventh of Sextor, 2371. Back cover of same also says A.D. 2371. Since it took 10 years for the C-57-D to reach Altair 4, the story takes place in the year 2381. Actually, Altair is a sun, the brightest star in the constellation Aquila and located 16.8 light-years (5.14 parsecs) from Earth. It is the 12th brightest star visible in the night sky. The planetary designation of Altair 4 means that the story is set on the fourth planet in the Altairan solar system. No. Stuntman <a href="/name/nm0201660/">Frankie Darro</a> was inside the robot. Robbie's voice was provided by voice-over actor <a href="/name/nm0588922/">Marvin Miller</a>. Most viewers conclude that the tiger attacked Alta because she was wearing a long dress and/or had just enjoyed an erotic kiss with Commander Adams. In the novelization, as well as in a deleted scene, it is explained that the tiger was tamed by Alta because of her sexual innocence, similar to the mythological concept of virgins having special power to tame unicorns and other wild beasts. Following the kiss between Alta and Adams, Alta's sexual awakening changed her in such a way that the tiger became aggressive towards her, just as it would have toward any other human. As Morbius describes it, the id is "an obsolete term once used to describe the elementary basis of the subconscious mind." As defined by Austrian neurologist and psychoanalyst Sigmund Freud [1856-1939], the id is one of three structures of the human psyche, the id being the part of the psyche that is subconscious and the source of primitive instinctive impulses and drives. The second structure, the ego, contains consciousness and memory and is involved with control, planning, and conforming to reality. The third structure, the superego, is the part of the mind that acts as a conscience to the ego, developing moral standards and rules through contact with parents and society. The Three Laws of Robotics are a set of three rules written by science fiction author <a href="/name/nm0001920/">Isaac Asimov</a> and later expanded upon. They are: (1) A robot may not injure a human being or, through inaction, allow a human being to come to harm, (2) A robot must obey any orders given to it by human beings, except where such orders would conflict with the First Law, and (3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. These rules are built in to almost all positronic robots appearing in his fiction and cannot be bypassed. The rules are introduced in his 1942 short story "Runaround" although they were foreshadowed in a few earlier stories, including "Robbie" (1940). Commander Adams convinces Dr Morbius that the Id monster is of his own creation and that, if he doesn't admit this to himself, the monster will kill everyone, including Alta. As the monster begins burning through the nearly indestructible door of the Krell laboratory where Adams, Alta, and Morbius have taken refuge, Morbius screams, "I deny you…I give you up!" and collapses on the floor. As he lies dying, Morbius tells Adams to throw a switch, then informs him that, in 24 hours, they must be 100 million miles away in space because an irreversible chain reaction will overload the Krell's nuclear reactors and blow up the planet. In the final scene, Alta, the Commander, Robbie, and the remaining crewmen are back aboard their spaceship, heading back to Earth. On the main viewplate, they watch Altair 4 explode. Holding Alta in his arms, Commander Adams assures her that, a million years from now, the human race will have crawled up to where the Krell stood in their great moment of triumph and tragedy and that her father's name will shine once again. "It will remind us", he adds, "that, after all, we are not God." 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